For many people who grew up in the 1990s, Home Alone is a film that ages alongside them. When you’re a child, you feel an immediate kinship with Macaulay Culkin’s Kevin, sharing in his delight at being able to run around the house entirely rule-free. The older you get, though, the more you find yourself goggling at the actions of John Heard and Catherine O’Hara‘s parents. How on earth could they manage to leave their youngest child behind? Was it really that easy to breeze through airport security in the ‘90s? Why do I still feel so sympathetic towards them even after all that?
While Disney might be holding back some of its best stuff for Comic-Con this year, that doesn’t mean there weren’t a few Star Wars: The Last Jedi teasers that they could share at this past weekend’s D23. Just yesterday, we were treated to a new featurette that went behind the scenes of the production; right on the heels of that comes these new character posters, a beautiful new mix of familiar faces and bright colors. It’s not exactly the brand new trailer that some were hoping for, but it should keep us occupied until the next opportunity presents itself.
Who would you rather fight, a million spider-sized ape or one ape-sized spider? It’s a question that’s been haunting my mind since, oh, about an hour ago when I started to look up the box office numbers for this past weekend. And while I might not be any closer to solving my riddle, I can at least say this: when it comes to week-old spiders versus brand new primates, the primates are destined to win. Here’s the box office numbers as of Sunday afternoon:
You know those rare moments when everyone on the internet seems to be talking about the same thing? Sports, politics, entertainment, whatever… those are the moments that make social media both a blessing and a curse. Take, for instance, a talented (if not slightly unknown) actress named Jodie Whittaker. If you were to go to Google Trends right now and look up her name, you’d see a sudden spike in searches, indicating that everyone everywhere is suddenly obsessed with learning more about her career. Why on earth could that be?
When you create a series of films as magical as the Pixar universe, you’re going to get your share of fans trying to puzzle your history out. That’s always been the case with movies like Toy Story and Monsters, Inc. Since each movie often features easter eggs that hint at the interconnected nature of each film, people have gone to great lengths to try and understand the elements of the movies not explicitly stated onscreen. Take, for instance, this past week’s video about the tragic story of Andy’s father in Toy Story. According to the host , Woody actually belonged to Andy’s father, who sadly passed away from complications due to polio before the first film. The video caught the internet by storm and was widely circulated over the weekend by most major entertainment sites.
Gather ’round, children, and let me tell you of the time before post-credits sequences. You see, in those days, we didn’t even know that a movie could continue after the words ‘The End’ flashed on the screen. Once a film was done, it was done, no more movie, and we’d have to have to find ways to entertain ourselves. We’d turn to the person next to us and strike up a con-ver-sation about the movie we just finished, or we’d quietly gather our belongings and head to the exit. But you know what we didn’t do? Watch more movie. Yessiree, we made our own fun back in those days. You kids have it soft.
Look, I’m no stranger to college acapella groups. When I was an undergraduate, a ragtag group of choir kids — myself most definitely included — organized the first men’s acapella group in the modern history of the university, and a quick Google search shows that the group is still alive and well to this day (no, I won’t tell you the name of the university or the name of the ensemble, so don’t bother asking). So am I pretty much as cool and influential as the Bellas in the Pitch Perfect movie series? Why, yes. I’d like to think so, yes.
If you only look at the surface numbers, this was a pretty predictable week at the box office. Wonder Woman did well, The Mummy did not, and everything else shook out accordingly. That being said, there’s some pretty interesting narratives emerging in the how and why of this weekend’s box office report. Let’s take a look at the rankings as of Sunday afternoon and dive into some of the specifics:
Based on how this weekend’s box office numbers shaped up, odds are good that you either saw Wonder Woman this weekend or you avoided the theater altogether. It was a record-setting few days for everyone’s favorite warrior princess — sorry, Xena — but things were decidedly less rosy if your movie was… well, literally anything else. Here are the box office estimates as of Sunday afternoon:
Over the past few weeks, we’ve quickly cycled through the various stages of superhero hype with Wonder Woman. First it was judging the trailers, then guessing at the potential box office, then responding to the initial buzz. And now, with fans and critics alike praising what Patty Jenkins and her team have put together, we can move to the final stage of the process: openly discussing the possibility of a sequel. Oh, those folks who haven’t seen the movie will catch up eventually. Right now it’s all about the next one.
There was a time not so long ago when Memorial Day weekend was a big deal for Hollywood, but this weekend felt more like a bunch of under-performers gathering together and learning very little about life. Call it the anti-Breakfast Club, if you will. This certainly isn’t what Hollywood had in mind for most of the franchises, and while Johnny Depp’s latest pirate movie did OK, OK seems to be the operative word of the summer if you’re not a movie about superheroes or literate villagers. Here’s the weekend gross through Sunday afternoon:
It’s a battle of the science fiction blockbusters this weekend, with Alien: Covenant and Guardians of the Galaxy Vol. 2 giving us a photo finish at the box office. The two movies couldn’t be more different in style, tone, and aesthetics, but they equally captured audiences’ attention and shined a light on what the future has in store for both franchises. Here’s the box office numbers as of Sunday afternoon:
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