Matthew Monagle

It feels like we’ve been watching the same six or seven movies shift places on the charts for weeks now, which makes what happened this weekend such a breath of fresh air. With four new releases all cracking the charts, we’ve at least got a little bit of variety in the titles we’ll be discussing, and no The Emoji Movie near the list. I’ll put that down as a win in my book any day of the week. Here’s the estimated box office grosses as of Sunday afternoon:

Sad news today out of Mexico, where it appears a location scout for the popular Netflix series Narcos was found shot to dead earlier this week. Carlos Muñoz Portal, who had previously worked on high-profile projects such as Sicario and Spectre, was reportedly looking at possible locations for the upcoming season of the Netflix series, which is said to be focusing on the infamous Juarez cartel. Despite the lag between when Portal’s body was discovered and when the news was reported by industry publications, little progress has been made in providing any firm details on the crime.

As we head deeper into September, two things have become pretty clear about 2017 box office numbers: one, Hollywood desperately needs to bounce back a little bit from the doldrums of August, and two, whoever decided to hedge their studio’s bets with a September release date for a movie about a killer clown is looking like a [profanity] genius right about now. We’ll get to all of that in a moment, but first, here are the box office numbers as of Sunday afternoon:

While there are probably those who would describe Daniel Radcliffe as an actor who has never amounted to much after the Harry Potter franchise, I’ve found his decisions over the past few years to be breathtakingly daring, a risky collection of screw-you titles that could only come from a place of supreme financial security. From Horns to Swiss Army Man and everything in between, Radcliffe has proven himself a gifted performer with a voracious appetite for genre films, becoming something relatively unique in the horror genre: an A-list actor with B-list tastes.

Here’s a fun question for you: how many evil droids have there been in the Star Wars universe? There was the interrogation droid that tortured Dr. Leia in the original Star Wars; IG-88 and the jet-black C-3PO unit in The Empire Strikes Back; and a handful of trade federation robots in the Star Wars prequels, as well as K-2SO (sorta) in Rogue One. Come to think of it, while both Death Stars have always had a bunch of R2 and MSE units wandering around in the background, the Star Wars series has always been a little short on recognizable droid baddies.

Horror has always had a knack for preying on people’s fears of new technologies. This approach has worked like gangbusters in movies like The Ring to Unfriended, both well-regarded horror films that use new media as a way to scare impressionable teenagers. So keep that in mind when you watch this trailer for Friend Request; yes, the very title itself seems to suggest a movie that is more interested in jumping on trends than breaking new ground in the horror genre, but sometimes these are the movies that end up surprising us. We’ll never know until we watch it, right?

In a weekend where no new releases cracked the Top 10 and six movies maintained their exact spot in the rankings, you’d think there would be less news worth sharing. That isn’t quite the case. Sure, as sites like Box Office Mojo have noted, this is a historically bad Labor Day Weekend for movies in theaters, but it’s also a uniquely static weekend for releases, one that even required me to create a second chart just to capture all the data points. Let’s start as we always do, with the box office grosses as of Sunday afternoon:

I’d like to think I’m not prone to hyperbole, so believe me when I say I’m putting all my remaining Marvel eggs in the Thor: Ragnarok basket. Sure, I’ve more-or-less enjoyed most of the movies in the franchise  —  this year’s Guardians of the Galaxy Vol. 2, for example, might be one of their best yet  —  but superhero movies are like anything else: the more you ingest, the less you enjoy it the next time around. If Marvel is going to continue making these movies until the sun explodes, then I’m ready for things to get a little bit weird, and Thor: Ragnarok director Taika Waititi is the right person to deliver.

One of the underrated elements of the horror community is how many of them have the opportunity to meet their heroes. When famous actors and filmmakers die, they tend to be remembered at a distance on the quality of their work; when horror icons like George Romero or Wes Craven pass, however, people have first-hand accounts of meeting them at festivals and conventions. So as word spreads today about the death of legendary Texas Chainsaw Massacre director Tobe Hooper, you’ll hear more than a few first-hand accounts of what it was like to talk about the genre with Hooper. That’s the power of the horror community.

What did you see this weekend? Was it the dour World War II epic? The raunchy New Orleans sex comedy? Or the movie where Cara Delevingne shoves her head into a telepathic jellyfish’s butt? Truly, with options like this, anyone who complains about the death of cinema has no idea what they’re talking about. Anyways, here’s the box office numbers through Sunday afternoon:

For many people who grew up in the 1990s, Home Alone is a film that ages alongside them. When you’re a child, you feel an immediate kinship with Macaulay Culkin’s Kevin, sharing in his delight at being able to run around the house entirely rule-free. The older you get, though, the more you find yourself goggling at the actions of John Heard and Catherine O’Hara‘s parents. How on earth could they manage to leave their youngest child behind? Was it really that easy to breeze through airport security in the ‘90s? Why do I still feel so sympathetic towards them even after all that?

While Disney might be holding back some of its best stuff for Comic-Con this year, that doesn’t mean there weren’t a few Star Wars: The Last Jedi teasers that they could share at this past weekend’s D23. Just yesterday, we were treated to a new featurette that went behind the scenes of the production; right on the heels of that comes these new character posters, a beautiful new mix of familiar faces and bright colors. It’s not exactly the brand new trailer that some were hoping for, but it should keep us occupied until the next opportunity presents itself.